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Michael Cox reviews a terrific production that's 'frequently funny'.
Those who have seen Gary McNair in action before will surely feel a sense of familiarity with his latest: Letters to Morrissey. Once again the writer/performer gives us a slice from his life, not only playing himself but a large range of characters he encounters.
But to describe Morrissey that way feels like an attempt to cheapen the experience, because what McNair and director Gareth Nicholls have created is a wonderfully poignant production that not only looks at the power of fandom but also teenage angst, peer pressure and the need to find a way to express yourself. It is also an honest look at how keeping secrets, even if one’s intentions are good, can have serious consequences—consequences that can ring through the decades.
McNair is a star, both as a writer and as a performer. His prose is wonderful—equally moving and hilarious, filled with insights that always ring true. However, McNair is a brilliant performer, switching between storyteller and actor with ease. Put together, Morrissey is a terrific production: frequently funny but also hiding a few sucker punches up its sleeve.
Performing at the Traverse Two until August 27. Check website or programme for performance times as they shift daily. No performances on Mondays.
Part of this year’s Made in Scotland programme.
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