A haunting portrait of Lucy, a young university student drawn into a mysterious hidden world of unspoken desires.
Leigh’s film is crafted with controlled precision but still leaves you wondering exactly what she was trying to say.
This will divide audiences as much as The Tree Of Life, but it’s a brave and beautiful calling card for both filmmaker and star. Drink it up, sit back and think of a very different Australia.
An airless, lifeless experience despite the best efforts and intentions of its lead.
Sleeping Beauty is no more than the sum of its parts, and the last part, the ending, is not entirely satisfying. But it is well acted and well made and Rachael Blake and Emily Browning, in their differing ways, carry off their parody mother-daughter relationship with complete confidence.
Sleeping Beauty was warmly received in Cannes where it was backed by Jane Campion, but back in autumnal Britain, it’s clear this emperor has no clothes, along with much of the cast.
The film--although so very stylishly--promises a moment of truth that never quite arrives.
It isn't an easy film to like, let alone enjoy, though Leigh's provocative view of objectification goes hand-in-hand with an undoubted cinematic eye.
Very, very, very boring.
I'm not sure what it means but it looks great and Browning deserves kudos for her brave role.
The dialogue is mostly laughable and delivered in the stilted manner of up-market softcore porn of the Emmanuelle and The Story of O variety, but it's far from erotic.
Overall, Leigh's debut has style, strangeness and distinction – yet for all its icy brilliance, Sleeping Beauty feels incomplete rather than truly enigmatic. But it's an intriguing piece, tantalising rather than a tease; it should keep you awake, at least.
This is a brave, thoughtful, highly accomplished debut that rewards as much as it challenges.
It’s all rather ridiculous, and the film’s serious tone shouldn’t be mistaken for profundity.
Not the Sleeping Beauty you know
Interview: Julia Leigh
Cameo, Edinburgh from Friday October 21, 2011, until Thursday October 27, 2011. 1.00pm. More info: http://www.picturehouses.co.uk/