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Hunt, The (15)

Hunt, The (15)

Drama

A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.


The critical consensus

The Hunt demonstrates how quickly the veneer of ‘civilization’ can be stripped away, and equally how swiftly ‘normality’ can be restored, although to the film’s credit, the coda adds a layer of ambiguity to proceedings.

***(*)(*)Tom Dawson, The List, 05/11/2012

It’s familiar territory but Mikkelsen is terrific, and the movie is earnestly engaged.

****(*)Siobhan Synnot, The Scotsman, 25/11/2012

Vinterberg has created a drama-thriller with the atmospheric grip of a horror film.

****(*)Peter Bradshaw, The Guardian, 29/11/2012

It’s a remarkable, powerful and provocative piece of filmmaking and the fact that it’s being released in the UK at time when temperatures are already running high about this issue just gives the ideas within it added traction. The Hunt mercifully doesn’t hector or moralise though; it soberly encourages us to hold on to our humanity.

****(*)Alistair Harkness, The Scotsman, 29/11/2012

The acting on all fronts is outstanding, with Mikkelsen holding the centre magnificently as the wronged teacher, his life contaminated by the slow-acting poison of rumour. Twitterati take note.

****(*)Anthony Quinn, The Independent, 29/11/2012

About hyseria but never hysterical the picture is a grippingly told human drama which feels terrifyingly real.

****(*)Henry Fitzherbert, Daily Express, 30/11/2012

One of the year's best films.

*****Robbie Collin, The Telegraph, 29/11/2012

Beautifully performed and tough as nails, Vinterberg's social drama could not be any more timely.

****(*)David Hughes, Empire Online, 30/11/2012

Mikkelson is a past master at portraying wretched discomfort, but not every element in the film is so convincing.

Nicholas Barber, The Independent on Sunday, 02/12/2012

Self-satisfied and deeply cynical.

David Jenkins, Little White Lies, 29/11/2012

Vinterberg’s uneasy but compelling film comments not just on the willingness of society to believe the worst, but also how in relishing the fight against a common enemy, they abandon common sense.

****(*)Callum Madge, TVBomb, 07/12/2012


Features about Hunt, The (15)

Thomas Vinterberg--back in The Hunt

Xan Brooks, The Guardian, 22/11/2012

Climate of fear: Thomas Vinterberg has returned to form, revisiting child abuse, the subject of his breakthrough film

Stephen Applebaum, The Scotsman, 25/11/2012

Thomas Vinterberg, interview: journey into the heart of darkness

Marc Lee, The Telegraph, 30/11/2012

Where and when?

Edinburgh Filmhouse, Edinburgh from Friday November 30, 2012, until Thursday December 13, 2012. More info: www.filmhousecinema.com

Glasgow Film Theatre, Glasgow from Friday December 7, 2012, until Sunday December 16, 2012. More info: http://www.glasgowfilm.org/theatre/

Dundee Contemporary Arts, Dundee from Friday December 7, 2012, until Thursday December 13, 2012. More info: www.dca.org.uk

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