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Mama (15)

Mama (15)

Horror

Annabel and Lucas are faced with the challenge of raising his young nieces that were left alone in the forest for 5 years.... but how alone were they?


The critical consensus

While well executed, Muschietti's feature debut lacks the originality and flair to have much staying power, though it ends on a high with an unexpected, oddly bittersweet conclusion.

***(*)(*)Becky Bartlett, The Skinny, 17/02/2013

First time director Andrés Muschietti shows talent and confidence in the first hour, letting us catch only peripheral glimpses of the unearthly Mama while letting the excellent Nélisse and Charpentier run feral through the plot. Unfortunately both the story and the effects take a slide into silliness in the third act, as the open-ended short lurches into a melodramatic conclusion that chimes with del Toro’s taste for fairytale excesses.

***(*)(*)Niki Boyle, The List, 18/02/2013

Despite story problems and overuse of good effects, this has enough shocks and screams to make a decent thrill ride.

***(*)(*)Kim Newman, Empire Online, 18/02/2013

First time co-writer/director Andy Muschietti deploys a couple of niftily handled reveals early on, suggesting the film is going to proceed with similar levels of imagination. Instead, it gradually falls apart the more Muschietti feels the need to explain Mama’s backstory.

***(*)(*)Alistair Harkness, The Scotsman, 21/02/2013

Sadly, the last third falls apart in a daft muddle of ancient curses and maternal frenzies. I was only surprised that the cute dachshund survived unscathed.

**(*)(*)(*)Anthony Quinn, The Independent, 21/02/2013

Scary at first, dull later.

***(*)(*)Chris Tookey, Daily Mail, 22/02/2013

It has been converted into a proficient, machine-tooled horror flick, stuffed full of shocks and buttressed with back-story. Mama got so flabby the second time around.

**(*)(*)(*)Xan Brooks, The Guardian, 21/02/2013

Atmospheric and initially quite intriguing Mama turns more conventional once the lights start flickering and things go bump in the night but it is still a superior supernatural shocker.

***(*)(*)Allan Hunter, Daily Express, 22/02/2013

There are plenty of easy shocks, but the things that go bump in the night have little psychological resonance.

Philip French, The Observer, 24/02/2013

Del Toro's bittersweet sensibility is approximated for a surprisingly twisted and satisfying climax that goes some way to making up for preceding lapses in logic, so overall Mama should leave viewers cautiously optimistic for whatever Muschietti does next.

***(*)(*)David Graham, Eye for Film, 28/02/2013

Where and when?

General release. Check local listings for show times.

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