A short, sharp shock of innovative Latin horror.
Art-house horror at its most pretentious.
A perplexing tale of disturbance, murder and madness.
Gustavo Hernández’s one-take Uruguayan horror is daring and technically well-executed, but its plot clichés creak like old floorboards.
This is a smart, scary film and a technical tour de force with its own skin-crawling atmosphere of fear.
Hernández certainly deserves kudos for making such a good-looking film for no money, but budget limitations are no excuse for sloppy, nonsensical writing.
Surprisingly effective.
Occasionally jolting but largely unconvincing.
General release. Check local listings for show times.