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Michael Cox reviews 'an exceptional production of an exceptional play'.
Jo Turbitt reviews an experience that's 'seriously great'.
Jo Turbitt reviews a production full of gumption but is a missed opportunity.
Ashling Findlay-Carroll reviews If there's not dancing at the revolution, I'm not coming, We Are Bronte and 5 out of 10 men.
Michael Cox reviews In Tents and Purposes, Wrecked, Stuff, How Is Uncle John and Binari.
Michael Cox reviews The Red Shed, Daffodils and Milk.
Ashling Findlay-Carroll reviews Once, How to be a Rock Star and Back of the Bus.
Michael Cox reviews Letters to Windsor House, Bubble Schmeisis, Adler & Gibb, Heads Up and Last Call.
Jo Turbitt reviews SKAL & Silent Space and The Rooster & Partial Memory.
Ashling Findlay-Carroll reviews THE END, May-We-Go Round and Your Majesties.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Amy Taylor reviews a film 'with some stunning imagery, but little else'.
Michael Cox reviews Hitchcock/Truffaut, One Floor Below and Where Do We Go From Here?
Amy Taylor reviews a 'poignant, touching and very amusing' film.
Amy Taylor reviews 'a stunning debut' that is 'a must see'.
Michael Cox reviews a film with 'pluck and charm to spare'.
Michael Cox reviews Don Cheadle's film that looks at the life and music of Miles Davis.
Michael Cox reviews a classic which is being screened as part of this year's Glasgow Film Festival.
Michael Cox reviews Matchbox Cineclub's recent screening, part of this year's Glasgow Film Festival.
Michael Cox reviews a film that's 'gripping, moving and filled with convincing performances'.
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