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Anon (15)

Sci-Fi, Thriller

A detective meets a woman who threatens the security of a futuristic cloud-based world.

The critical consensus

Anon lacks identity and arrives at the finish line in a desiccated, cerebral, unsatisfying style.

**(*)(*)(*)Peter Bradshaw, The Guardian, 04/05/2018

More potent as a cautionary tale than future noir, Anon’s digital dystopia certainly gets a Like, even if it doesn’t quite warrant a Share.

***(*)(*)James Dyer, Empire Online, 08/05/2018

Too many digital bells and whistles get in the way of an otherwise conventional detective story.

**(*)(*)(*)Geoffrey Macnab, The Independent, 09/05/2018

Clive Owen and Amanda Seyfried head up this well-intentioned and timely sci-fi thriller that ultimately frustrates.

***(*)(*)Angie Errigo, The List, 07/05/2018

Same old private eye business told with some flashy bells and whistles.

***(*)(*)Lou Thomas, Little White Lies, 10/05/2018

The ideas are interesting; the execution isn’t.

**(*)(*)(*)Alistair Harkness, The Scotsman, 11/05/2018

Andrew Niccol’s crime drama about state abuse of private data is topical but badly executed.

**(*)(*)(*)Wendy Ide, The Observer, 13/05/2018

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