The purportedly true story of Oscar Grant III, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.
A deeply moving drama played out on the small stage of ordinary people’s lives. An unforgettable performance from Jordan invests Grant with real humanity, while Coogler’s unvarnished script and sure-handed direction propel the film to its inevitable, terrible conclusion.
It’s ragged around the edges, but this remains a stirring tribute to Grant. And coaxed by the assured Coogler, Jordan delivers a performance that will long be remembered.
A promising debut by writer-director Ryan Coogler.
Heartrending and highly recommended.
Verdict: Stirring true story.
This is socially aware cinema at its most nuanced, humane and complex.
A technically strong, but also dishonest piece of filmmaking.
Perhaps poor Oscar Grant really was on the verge of turning his life around, and perhaps not. Coogler's film gives him the benefit of the doubt – the film-making equivalent, perhaps, of a presumption of innocence. It is a humanist gesture of faith.
Ryan Coogler's brilliantly observed and very moving debut feature.
The air of impending disaster (we open with the notorious mobile phone footage) culminates in a harrowing final act that is both chilling and heartbreaking.
Ryan Coogler interview: 'Fruitvale Station' will be a shot heard around the world
Fruitvale Station gives Oscar Grant his humanity back
Fruitvale Station's Michael B Jordan: 'African-Americans aren't allowed to be real people'
Edinburgh Filmhouse, Edinburgh from Friday July 25, 2014, until Monday July 28, 2014. More info: www.filmhousecinema.com