Largely filmed in gorgeous black and white, with key sequences in colour, there is a delicacy and restraint to Frantz that extends from the understated performances to the impeccable art direction and the sombre mood.
Ozon’s latest is a twisty-turny post-War mystery — think ‘A Very Long Bereavement’ — that boasts a kaleidoscope of quiet emotions. It unfolds slowly, but rewards patience with strong performances and a swooning third act.
Beautifully made and very moving in its own quiet, self-effacing way.
A fascinating exploration of the complexities of war from the perspective of those left behind.
Outstanding lead performance with moments of real sincerity, but it’s not enough.
Paula Beer is charming as a German woman who discovers her late fiance was harbouring a surprising secret.
Cameo, Edinburgh from Friday May 26, 2017, until Thursday June 1, 2017. More info: http://www.picturehouses.co.uk/
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