Michael Cox reviews an ‘impressive’ production with ‘hypnotic, dazzling and entertaining’ staging.
Michael Cox reviews a production that ‘manages to enrapture the audience in a collective sense of wonder and delight.’
Anna Burnside reviews a production that ‘has huge charm and energy.’
Michael Cox reviews an essential and moving performance.
Michael Cox reviews a piece that is 'compelling, beautiful and stirring.'
Anna Burnside reviews a production filled with 'a combination of movements that mix the familiar with the unexpected and the frankly unbelievable'.
Anna Burnside reviews 'a brilliantly moving and illuminating piece of storytelling'.
Michael Cox reviews After the Act, Bloody Elle, Havana Street Party, Lightening Ridge, Concerned Others and Stuntman.
Michael Cox reviews 'an enjoyable production that will surely entertain and be an audience favourite'.
Jo Turbitt reviews a productions that has 'an abundance of potential' but gets lost.
Jo Turbitt reviews a piece that has 'lots of interesting ideas' that 'are not fully explored or utilised'.
Jo Turbitt reviews a piece that's 'expertly simple and yet crafted with complexity'.
Jo Turbitt reviews 'an intriguing and compelling piece' by Scottish Ballet.
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Michael Cox reviews The Ballad of the Apathetic Son and his Narcissistic Mother, Extinguished Things, Egg, The Myth of the Singular Moment and Lovecraft (Not the Sex Shop in Cardiff).
Ashling Findlay-Carroll reviews a piece with great moments but one which needs further work.
Joy Watters reviews a production of 'sheer delight'.
Jo Turbitt reviews a 'winning' production.
Michael Cox reviews a 'nice' production that doesn't linger in the mind for long.
Jo Turbitt reviews the latest tour by the renowned company.
Jo Turbitt reviews a production that has 'sensitivity, brutality and gumption'.
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