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Michael Cox reviews The Ballad of the Apathetic Son and his Narcissistic Mother, Extinguished Things, Egg, The Myth of the Singular Moment and Lovecraft (Not the Sex Shop in Cardiff).
Ashling Findlay-Carroll reviews a piece with great moments but one which needs further work.
Joy Watters reviews a production of 'sheer delight'.
Jo Turbitt reviews a 'winning' production.
Michael Cox reviews a 'nice' production that doesn't linger in the mind for long.
Jo Turbitt reviews the latest tour by the renowned company.
Jo Turbitt reviews a production that has 'sensitivity, brutality and gumption'.
Ashling Findlay-Carroll reviews a production 'performed with outstanding technical virtuosity'.
Jo Turbitt reviews 'a fantastic programme of delicious dance'.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Jo Turbitt reviews a production that has a lot to say but feels a little underwhelming.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Jo Turbitt reviews a production that 'starts with oomph, goes a bit experimental in the middle and then goes out with a bang'.
Jo Turbitt reviews the latest tour from the famed company.
Michael Cox reviews 'a wonderfully staged musical that works a treat'.
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Ashling Findlay-Carroll reviews Scary Shit, Beards Beards Beards and Stories to Tell in the Middle of the Night.
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