Joy Watters reviews the second part in a trilogy of work looking at the lives of people affected by the 306 men shot for cowardice in WWI.
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Michael Cox reviews a production that might be thin on plot and character but is rich in 'spine-tingling energy and passion'.
Michael Cox reviews a production that is 'saved by the excellent music and talented cast'.
Jo Turbitt reviews a production that 'hits every delicious note' in its depiction of some of rock music's greatest.
Michael Cox reviews a 'poetically beautiful and wonderfully engaging' experience.
Michael Cox writes about the seminal play and the current touring production from Dundee Rep.
Ashling Findlay-Carroll reviews a wonderful celebration of Martyn Bennett's classic work.
Michael Cox reviews a production with a lot of creative ideas but a messy script.
Michael Cox reviews a production filled with 'beautiful harmony'.
Ashling Findlay-Carroll reviews High Heels in Low Places, Teatro Delusio and Finding Joy.
Michael Cox reviews Counting Sheep, World Without Us and Cut.
Ashling Findlay-Carroll reviews 'a great night out' and a production that's 'equal parts shocking and straightforward'.
Michael Cox reviews I Got Superpowers for my Birthday, Every Brilliant Thing, All the Things I've Lied About, Scorch, Jonny & the Baptists--Eat the Poor and Ghost Quartet.
Michael Cox reviews 'an unforgettable performance'.
Michael Cox reviews The Red Shed, Daffodils and Milk.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Michael Cox reviews an excellent night of musical theatre.
Joy Watters reviews a theatrical commemoration of lives lost in WWI.
Michael Cox reviews 'an ambitious project that is worthwhile'.
Lorna Irvine reveals her top picks of the year.
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