Anna Burnside reviews a production with ‘some strong musical jokes and whimsies’.
Anna Burnside reviews Grid Iron’s adaptation of the acclaimed novel.
Anna Burnside reviews a missed opportunity with a ‘masterful’ lead performance.
Anna Burnside reviews a very funny production with a ‘deeply satisfying, if horrific, ending’.
Anna Burnside reviews a production that has parts that land but as a whole doesn’t gel.
Anna Burnside reviews a production that’s ‘funny and crackingly paced while never losing the humanity of the subject matter’.
Anna Burnside reviews the latest offering by acclaimed performer Briony Kimmings.
Michael Cox reviews a ‘fantastically theatrical and constantly riveting’ production.
Anna Burnside reviews a production with a lot going on but becomes ‘a multimedia mess’.
Anna Burnside reviews a production with solid performances but lacks theatricality.
Anna Burnside reviews ‘an impressive piece of writing elevated by a superb performance’.
Anna Burnside reviews a production with a script that’s ‘fresh and sparky’ that’s ‘something special’.
Anna Burnside reviews a production that ‘evokes the intensity of youthful friendships’.
Anna Burnside reviews a ‘taught’ production of the classic bloody Jacobean tragedy.
Anna Burnside reviews ‘a muddy and underpowered piece of work’.
Anna Burnside reviews ‘a visually and aurally powerful production’.
Anna Burnside reviews a summer panto that’s ‘more cerebral and less smutty than many shows in the genre’.
Scott Purvis-Armour reviews a weak musical with ‘a strong cast’.
Anna Burnside reviews ‘an intense production of an emotionally charged play’.
Anna Burnside reviews ‘a tremendous evening’.
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