Scott Purvis-Armour reviews the latest Scottish performance of the long-touring classic.
Anna Burnside reviews ‘a tremendous night out’.
Anna Burnside reviews the latest A Play, A Pie and A Pint offering.
Nathan Breen reviews the films Kill the Jockey, Boys Go to Jupiter and Bob Trevino Likes It.
Anna Burnside reviews a smart and witty production.
Anna Burnside reviews a ‘well-crafted’ edition to this year’s season of A Play, A Pie and A Pint.
Anna Burnside reviews a new adaptation of a classic Scottish text.
Anna Burnside reviews a revival of a classic that’s ‘still essential viewing more than 80 years on’.
Anna Burnside reviews ‘enjoyable and promising piece of work’.
Anna Burnside reviews a production with a ‘tremendous ensemble’.
Anna Burnside reviews a solid production with concepts that throw it off balance.
Anna Burnside reviews a production ‘saved by some sharp writing’.
Michael Cox reviews a production ‘that means well and offers an emotional journey with pure intent’.
Anna Burnside reviews a production with ‘much to enjoy’.
Anna Burnside reviews the ‘lush Scottish Opera revival of Opera Wales’ 2022 triumph’.
Scott Purvis-Armour reviews ‘a show full of soul and sole which nonetheless limps a little.’
Scott Purvis-Armour reviews a modern classic ‘which constantly delights’.
Santi Parra-Whitehead reviews ‘a gripping ride’.
Anna Burnside, with contributions by Isobel Madonia and Tess Syed-Tollan, review PACE Theatre’s latest panto.
Anna Burnside begins a new series of reviews by mentoring Strathclyde University students. This first review has contributions from Rosie Bell, Nathan Breen, Santiago Parra-Whitehead, Madeline Watson.
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