British period drama, based on the 1819 massacre, in which British forces attack peaceful protesters in Manchester.
As powerful as the final scenes are – and Leigh really shows he can handle big-scale action – it's the film's quieter moments that linger.
Resultantly, at times, it feels a little too much like an agenda is being pushed, but this is nevertheless a powerful, pertinent piece of work.
Although Peterloo is polyvocal, and lends an ear to many perspectives, be in no doubt about its intention; this is not, and doesn’t pretend to be, a balanced critique of power: it’s an outright, tenacious, immutable condemnation.
An earnest, colourful portrait of liberty and tyranny in 19th century England.
It will ensure that the bloody events in St Peter’s Fields nearly 200 years ago are put back on the radar of politicians, historians and cultural commentators alike.
There are contemporary resonances for those who want them, but Peterloo succeeds on being an impactful recreation of a time and its injustices.
Mike Leigh’s unflinching examination of the Peterloo massacre is big on historical detail but woefully short of engaging characters.
Clumsy and bloated retelling of a pivotal event is an honourable failure.
Peterloo director calls for 1819 massacre to be taught in UK school
Tim McInnerny on Peterloo.
Maxine Peake: 'I sent Mike a postcard when I found out he was making Peterloo'
General release. Check local listings for show times.