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Past, The (12A)

Drama, Mystery

An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.


The critical consensus

The Past is clearly the work of a master dramatist, and precious few filmmakers in world cinema are currently operating at Farhadi's level.

*****Philip Concannon, The Skinny, 28/02/2014

The question that this entire film spins on is whether someone can ever cut themselves off from the past. As an answer to that question, the image that Farhadi concludes with is truly unforgettable.

****(*)Paul Gallagher, The List, 13/03/2014

A bold, honest film about family life that showcases a terrifically unpeppy turn from Bejo.

****(*)Phil de Semlyen, Empire Online, 17/03/2014

However much the arthouse trappings try to hide it, the silly late act twists belong on an episode of EastEnders.

***(*)(*)Andrew Lowry, Total Film, 24/03/2014

Extremely moving when taken at face value, extremely impressive as a piece of immaculate cinematic craft.

****(*)David Jenkins, Little White Lies, 27/03/2014

The acting is good but it plays like an upscale soap opera, without any emotional payoff.

***(*)(*)Henry Fitzherbert, Daily Express, 26/03/2014

The intensity of Farhadi's focus means that The Past would seem to be about minutiae. But it is crucially important minutiae, to the point where the dramatic climax hinges on the most fractional twitch of a muscle.

*****Laurence Phelan, The Independent, 27/03/2014

It’s not as skilfully nuanced as his last drama but the storytelling remains precise, surprising and compelling.

****(*)Siobhan Synnot, The Scotsman, 23/03/2014

Sombre and difficult this movie may be, but it is exhilarating to watch something that makes you come out of the cinema not sated or torpid, but wanting to talk – to talk about what the film meant, and meant to you personally. It's a rare pleasure.

****(*)Peter Bradshaw, The Guardian, 27/03/2014

This is an exquisitely made film which probes away at the rawest, most intimate emotions of its characters with a delicacy and insight reminiscent of Krzysztof Kieslowski in his prime.

****(*)Geoffrey MacNab, 27/03/2014

Verdict: EastEnders in French.

****(*)Brian Viner, Daily Mail, 28/03/2014

Bérénice Bejo is outstanding in Oscar-winner Asghar Farhadi's rich study of people trapped in physical and emotional limbo.

****(*)Mark Kermode, The Observer, 29/03/2014

Where and when?

Edinburgh Filmhouse, Edinburgh from Friday March 28, 2014, until Thursday April 10, 2014. More info: www.filmhousecinema.com

Glasgow Film Theatre, Glasgow from Friday April 4, 2014, until Thursday April 10, 2014. More info: http://www.glasgowfilm.org/theatre/

Dundee Contemporary Arts, Dundee from Friday April 4, 2014, until Thursday April 10, 2014. More info: www.dca.org.uk

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