Shame, then, that the two tales crowd rather than complement each other.
A couple of odd storytelling fumbles strain credibility and deprive Patagonia of any real lasting value.
Very spacious, very beautiful, this film is also very vacant.
Too pallid and fatiguing to sustain the film’s baggy running time.
A topcoat of enforced lyricism creates an emotional soft-focus that is unsatisfying and unconvincing.
Marc Evans gets good performances, and simply ignores the speed-bumps lined along the implausible journeys.
Two stories unfold in Marc Evans’s drama, one of which works better than the other.
Interview: Matthew Rhys, actor
Matthew Rhys: from Patagonia with love
General release. Check local listings for show times.
RSS feed of Cinema reviews