Anna Burnside reviews a production that’s ‘compact, perfectly formed and as rich in ideas as it is in laughs.’
Anna Burnside reviews a musical that gives all the best material to the baddies.
Anna Burnside reviews a production with a strong idea but one which needs further work.
Anna Burnside reviews ‘a solid but otherwise unremarkable piece of theatre.’
Anna Burnside reviews ‘a treat’ of a production.
Anna Burnside reviews a well-intentioned but flawed theatrical memoir.
Michael Cox reviews ‘one of the most moving and humane productions to come along in some time.’
Anna Burnside reviews a well-intentioned production let down by ‘a clanky’ script.
Anna Burnside reviews ‘a sweet show.’
Anna Burnside reviews a production that ‘walks the fine line between panto and popular theatre with huge confidence and charm.’
Anna Burnside reviews ‘a clever one-man musical’.
Michael Cox reviews a production that’s ‘a fun (and surprisingly short) night out’ that ‘doesn’t quite live up to its promise.
Anna Burnside reviews ‘a well constructed’ remount of a production from A Play, A Pie and A Pint’s initial season.
Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’
Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’
Anna Burnside reviews a performance of magical realism that works well.
Anna Burnside reviews a set from ‘an impressive performer.’
Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’
Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.
Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’
RSS