Anna Burnside reviews the tour of the acclaimed modern theatrical classic.
Anna Burnside reviews a production with a ‘nimble and convincing’ cast but a play that ‘suffers from too many ideas’.
Anna Burnside reviews a ‘compelling version’ of the classic tragedy.
Anna Burnside reviews an excellent production with a ‘magnificent’ central performance.
Anna Burnside reviews a production that ‘falls flat’.
Scott Purvis-Armour reviews ‘a bone-chilling frightfest which plunges every seat into anxiety, fear and horror’.
Anna Burnside reviews this week’s offering at A Play, A Pie and A Pint.
Anna Burnside reviews a production with ‘a timely and important subject’.
Anna Burnside reviews this week’s A Play, A Pie and A Pint offering.
Michael Cox reviews ‘a bubbly delight’.
Anna Burnside reviews a ‘thoughtful new adaptation’ of the classic--and pertinent--story.
Anna Burnside reviews ‘a taster menu of new material and different styles of dance’ that proves to be ‘a fascinating success’.
Anna Burnside reviews the initial production of the current A Play, A Pie and A Pint season.
Anna Burnside reviews ‘a much-needed reminder of the unifying power of performance, music, dancing and love’.
Michael Cox reviews a production that asks essential questions.
Michael Cox reviews a love letter to musical theatre.
Michael Cox reviews ‘a good night out’.
Michael Cox reviews ‘an absolute powerhouse’ of a production.
Anna Burnside reviews ‘an important story well told’.
Anna Burnside reviews a flawed production with solid performances.
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