Anna Burnside reviews a ‘well-crafted’ edition to this year’s season of A Play, A Pie and A Pint.
Anna Burnside reviews a new adaptation of a classic Scottish text.
Anna Burnside reviews a revival of a classic that’s ‘still essential viewing more than 80 years on’.
Anna Burnside reviews ‘enjoyable and promising piece of work’.
Anna Burnside reviews a production with a ‘tremendous ensemble’.
Anna Burnside reviews a solid production with concepts that throw it off balance.
Anna Burnside reviews a production ‘saved by some sharp writing’.
Michael Cox reviews a production ‘that means well and offers an emotional journey with pure intent’.
Anna Burnside reviews a production with ‘much to enjoy’.
Anna Burnside reviews the ‘lush Scottish Opera revival of Opera Wales’ 2022 triumph’.
Scott Purvis-Armour reviews ‘a show full of soul and sole which nonetheless limps a little.’
Scott Purvis-Armour reviews a modern classic ‘which constantly delights’.
Santi Parra-Whitehead reviews ‘a gripping ride’.
Anna Burnside, with contributions by Isobel Madonia and Tess Syed-Tollan, review PACE Theatre’s latest panto.
Anna Burnside begins a new series of reviews by mentoring Strathclyde University students. This first review has contributions from Rosie Bell, Nathan Breen, Santiago Parra-Whitehead, Madeline Watson.
Anna Burnside reviews ‘a delightful, if gentle, festive night out.’
Anna Burnside enjoys Johnny McKnight’s latest Christmas offering.
Michael Cox reviews Pitlochry Festival Theatre’s ‘wonderful production’ of a timeless classic.
Anna Burnside reviews a production that ‘is a great subject for a play’ but misses the mark.
Anna Burnside reviews a ‘pretty thin’ offering from A Play, A Pie and A Pint.
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