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Michael Cox reviews 'a thrilling hour of music, sound effects and theatricality'.
Scott Purvis reviews an impressive history lesson made for the age of Hamilton.
Michael Cox reviews a production that should be a winner but is 'a lost opportunity'.
Michael Cox reviews The Ballad of the Apathetic Son and his Narcissistic Mother, Extinguished Things, Egg, The Myth of the Singular Moment and Lovecraft (Not the Sex Shop in Cardiff).
Ashling Findlay-Carroll reviews a 'bold and unique' performance.
Michael Cox reviews The Flop, Status, First Snow/Premiere Neige, Famous Puppet Death Scenes and Drive-By Shooting.
Michael Cox reviews Katie and Pip, War With the Newts, Flight, Happy Hour, Erehwon and Closed Doors.
Michael Cox reviews a production that's 'a constant delight'.
Michael Cox reviews 'a celebration of the artistic spark.'
Jo Turbitt reviews 'an absolutely delightful evening'.
Jo Turbitt reviews a brilliant performance, part of this year's Edinburgh International Festival.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
Ashling Findlay-Carroll reviews a production headlined with a phenomenal performer 'who has poise, charisma and stamina by the bucket load'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
Michael Cox reviews a searing production with a phenomenal central performance.
Joy Watters reviews the second part in a trilogy of work looking at the lives of people affected by the 306 men shot for cowardice in WWI.
Michael Cox reviews a production that might be thin on plot and character but is rich in 'spine-tingling energy and passion'.
Michael Cox reviews a production that is 'saved by the excellent music and talented cast'.
Jo Turbitt reviews a production that 'hits every delicious note' in its depiction of some of rock music's greatest.
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