Anna Burnside reviews ‘a show that examines the cringe factor without being cringe’.
Michael Cox reviews a poetry performance 'with much worth listening to.'
Michael Cox reviews 'an emotionally opulent' production.
Ashling Findlay-Carroll reviews a production that is 'moving, inspiring and hilarious'.
Ashling Findlay-Carroll reviews a production that leaves audiences 'feeling delighted, calm and just a little bit bemused'.
Michael Cox writes about the seminal play and the current touring production from Dundee Rep.
Michael Cox reviews two excellent productions, part of this year's Edinburgh International Festival.
Michael Cox reviews a TED talk-like presentation filled with impressive multimedia.
Lorna Irvine reviews an 'impressive' production.
Lorna Irvine looks at the most recent recipient of the celebrated Platform 18 Award.
Michael Cox reviews Near Gone, Shakespeare, His Wife and the Dog, Lands of Glass and ViewMaster.
Michael Cox reviews KlangHaus, Klip, A Journey Round My Skull, Head in the Clouds, The Future for Beginners and Dead to Me.
Michael Cox reviews Cuckooed, Unfaithful, SmallWar and riverrun.
Michael Cox reviews Churchill, Liz Lochhead: Making Nothing Happen and Jigsy.
Jo Turbitt reviews Mairy Maclary and Friends, Dickens' Women, The Submarine Show and The Clique Royale: The Queen's Selection.
Michael Cox reviews more Summerhall productions: Puellae, The List, How a Man Crumbled, Red Like Our Room Used to Feel, BUZZCUT and Puppet-The Book of Splendour.