'Hardly brimming with searing insight or originality...nonetheless highly watchable', Lorna Irvine reviews the latest partnership between NTS and A Play, a Pie and Pint.
Lorna Irvine reviews this 'vital' production.
Lorna Irvine reviews the flawed but good-natured production, part of Behaviour 2013.
'Lacking wit and spice,' Lorna Irvine reviews Oran Mor's latest.
Lorna Irvine reviews a new play performed in two halves.
Missy Lorelei reviews the Citizens' production of Doctor Faustus.
Part of this year's Behaviour festival, Lorna Irvine reviews 'a brave, bold beautiful show'.
'A cliched, mean-spirited and desperate mess,' Lorna Irvine reviews the latest from A Play, a Pie and a Pint.
In reaction to the release of his latest album, Lorna Irvine reflects on the cultural impact of David Bowie.
Missy Lorelei reviews the first piece from this year's Behaviour festival.
(Image: Gary McNair, photo credit: Eoin Carey)
Lorna Irvine is charmed by an odd 'antidote to the youth-obsessed Twilight franchise'.
Lorna Irvine is disappointed with Francois Ozen's latest film.
Lorna Irvine thinks the band's debut is 'a gorgeous start'.
Lorna Irvine reviews the co-production between A Play, a Pie and a Pint and Perth Theatre.
Lorna Irvine looks at a new wave of female musical talent that refuse to fit into the current 'glamour' mould.
Lorna Irvine reviews the 'intelligent and worthwhile' production at Oran Mor.
Lorna Irvine reviews the new 'thought-provoking, strange and insidious' film.
'Immensely satisfying on many levels,' Lorna Irvine reviews the Tron's latest.
'A brave subject to take on...if in incredibly bad taste,' Lorna Irvine reviews the latest lunchtime theatre co-production between the Traverse and Oran Mor.
Lorna Irvine is much amused by the tour of the West End hit.
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