In reaction to the release of his latest album, Lorna Irvine reflects on the cultural impact of David Bowie.
Lorna Irvine thinks the band's debut is 'a gorgeous start'.
Lorna Irvine looks at a new wave of female musical talent that refuse to fit into the current 'glamour' mould.
Lorna Irvine reports on the recent event at the Glasgow Royal Concert Hall.
Lorna Irvine finds much to love with the singer's recent Celtic Connections performance.
Lorna Irvine has a mixed evening at Oran Mor for the Celtic Connections performance.
Lorna Irvine is entranced by the recent Celtic Connections appearance at Kelvingrove.
Deborah McArthur fills us in on one of her all-time favourite gigs ever.
The Staves: Not the Three Degrees. A profile highlighting this sibling "nu-folk" band from Across the Arts's Lorna Irvine.
Lorna Irvine is unimpressed with her recent run-in.
Lorna Irvine's thoughts on Swan's latest studio album.
Deborah McArthur reviews the Randolph's Leap gig at Shawland's new venue: Glad Cafe.
Michael Cox reviews Songs of Lear, The Rape of Lucrece and A Midsummer Night's Dream (As You Like It).
Missy Lorelei gives her highlights from Latitude.
Missy Lorelei writes about one of her favourite venues.
Missy Lorelei picks her top gigs coming this autumn at the iconic venue.
Jo Turbitt reviews Mairy Maclary and Friends, Dickens' Women, The Submarine Show and The Clique Royale: The Queen's Selection.
Michael Cox reviews Tam O'Shanter, Miss Julie, The Stranger and As of 1:52pm GMT on Friday April 27th 2012, This Show Has No Title.
Michael Cox reviews Molly Wobbly's Tit Factory, Clinton the Musical, The Blanks' Big Break and Dr Quimpugh's Compendium of Peculiar Afflictions.
Jo Turbitt reviews Bubble Wrap & Boxes, The Ballad of Pondlife McGurk, Rhythmic Circus, Cabaret Whore and Piatto Finale.
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