Anna Burnside reviews a tense production with ‘an impressive’ central performance.
Anna Burnside reviews a production with strong elements but has a script that still needs some work.
Michael Cox reviews ‘a terrific mix of music and stagecraft, honouring one of pop music’s icons’.
Anna Burnside reviews a black comedic look at the NHS.
Scott Purvis-Armour reviews ‘a fun fumble through the back catalogue of one of Britain’s most successful pop groups’.
Anna Burnside reviews a ‘hugely playful and inventive’ production.
Anna Burnside reviews a production that’s ‘trying to do something brave and challenging’ but doesn’t quite work.
Anna Burnside reviews a ‘thin’ offering from A Play, A Pie and A Pint.
Anna Burnside reviews a production that’s ‘an impressive and painstaking bit of work, ambitious in scale and full of humanity.’
Anna Burnside reviews a production with ‘emotional power’.
Anna Burnside reviews ‘a hugely impressive’ new production giving Scottish history a new musical treatment.
Scott Purvis-Armour reviews a production which ‘culminates in a genuinely surprising twist’.
Michael Cox reviews a musical that’s ‘a delight from the start’.
Michael Cox reflects on his experience at a Fringe cult favourite.
Michael Cox reviews a production that’s ‘funny, insightful and occasionally heartbreaking’.
Michael Cox reviews ‘a sincere production that is done with care and sympathy’.
Anna Burnside reviews a ‘delicious’ celebration of Scottish panto.
Anna Burnside reviews a ‘charming’ adaptation of a classic novel.
Anna Burnside reviews with some ‘rough edges’.
Anna Burnside reviews a production that is ‘charming, funny, warm’ and ‘subverts a sexist trope’.
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