Joy Watters reviews a production of 'sheer delight'.
Jo Turbitt reviews a 'winning' production.
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Michael Cox reviews a 'nice' production that doesn't linger in the mind for long.
Jo Turbitt reviews the latest tour by the renowned company.
Jo Turbitt reviews a production that has 'sensitivity, brutality and gumption'.
Ashling Findlay-Carroll reviews a production 'performed with outstanding technical virtuosity'.
Jo Turbitt reviews 'a fantastic programme of delicious dance'.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Jo Turbitt reviews a production that has a lot to say but feels a little underwhelming.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Jo Turbitt reviews a production that 'starts with oomph, goes a bit experimental in the middle and then goes out with a bang'.
Jo Turbitt reviews the latest tour from the famed company.
Michael Cox reviews 'a wonderfully staged musical that works a treat'.
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Ashling Findlay-Carroll reviews Scary Shit, Beards Beards Beards and Stories to Tell in the Middle of the Night.
Michael Cox reviews Us/Them, Denton & Me, One Hundred Homes, Hillary Clinton, Blank and (I Could Go On Singing) Over the Rainbow.
Ashling Findlay-Carroll reviews Whiteout, A Plague of Idiots, Faslane and Only Bones.
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