Anna Burnside reviews a 'substantial' production.
Anna Burnside reviews a production filled with 'a combination of movements that mix the familiar with the unexpected and the frankly unbelievable'.
Anna Burnside reviews a production from a new playwright with 'real promise'.
Anna Burnside reviews a production that's 'worth seeing for the sheer spectacle'.
Anna Burnside reviews a black comedy that 'rings terrifyingly true'.
Anna Burnside reviews a production 'with much to admire' but emotionally leaves one cold.
Anna Burnside reviews a production that 'looks great' and has a solid performance but is 'ultimately unsatisfying'.
Anna Burnside reviews a production with good ingredients that comes out undercooked.
Anna Burnside reviews 'a particularly nuanced and delicate' production with convincing performances that has something worth saying.
Anna Burnside reviews a production with good intentions that doesn't quite work.
Anna Burnside reviews 'a well-constructed piece of work'.
Anna Burnside reviews a stand-up set that 'deserves the recognition this seems set to bring'.
Anna Burnside reviews 'an enjoyable' comedic set.
Anna Burnside reviews a dark comedic act with 'sass and substance'.
Michael Cox reviews a production that 'impresses and entertains'.
Michael Cox reviews As Far As Possible, Dimanche and The Threepenny Opera.
Michael Cox reviews a compelling one-woman show.
Michael Cox reviews After the Act, Bloody Elle, Havana Street Party, Lightening Ridge, Concerned Others and Stuntman.
Michael Cox reviews 'an excellent production'.
Michael Cox reviews 'a fun night out'.
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