Ashling Findlay-Carroll speaks with the creators of Hilda & the Spectrum.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
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Michael Cox reviews How to Act, A Hundred Different Words for Love, Doglife and Siri.
Michael Cox reviews an anticipated production that throws away a promising premise.
Michael Cox reviews a production with good performances but a mess of a script.
Ashling Findlay-Carroll reviews a 'downright silly and delightfully charming' production.
Ashling Findlay-Carroll reviews a production that's 'both amusing and politically charged'.
Ashling Findlay-Carroll reviews 'a fun-filled' production.
Ashling Findlay-Carroll reviews a flawed production with moving performances.
Ashling Findlay-Carroll reviews a 'funny and poignant exploration of growing up in a small town'.
Ashling Findlay-Carroll reviews a production with great performances but is in need of better direction.
Ashling Findlay-Carroll reviews a production with 'unashamedly camp frivolity' but also has real heart.
Ashling Findlay-Carroll reviews a performance that's 'deliciously rude and playfully taboo'.
Ashling Findlay-Carroll reviews a 'story that should be told' that 'is executed beautifully'.
Ashling Findlay-Carroll reviews a production that's 'thought provoking and bonkers in equal parts'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Ashling Findlay-Carroll reviews a production headlined with a phenomenal performer 'who has poise, charisma and stamina by the bucket load'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
Ashling Findlay-Carroll reviews a hit-or-miss production.
Michael Cox reviews a searing production with a phenomenal central performance.
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