Anna Burnside reviews a two-part production with ‘a convincing’ performance but lacks drama.
Anna Burnside reviews a production with ‘a smart conceit’.
Anna Burnside says ‘there is much to love about this throw-everything-at-the-wall production’.
Anna Burnside reviews ‘an enjoyable and uplifting’ production.
Anna Burnside reviews an anticipated production that asks questions but doesn’t give many answers.
Anna Burnside reviews a production with ‘some strong musical jokes and whimsies’.
Anna Burnside reviews Grid Iron’s adaptation of the acclaimed novel.
Anna Burnside reviews a missed opportunity with a ‘masterful’ lead performance.
Anna Burnside reviews a very funny production with a ‘deeply satisfying, if horrific, ending’.
Anna Burnside reviews a production that has parts that land but as a whole doesn’t gel.
Anna Burnside reviews a production that’s ‘funny and crackingly paced while never losing the humanity of the subject matter’.
Anna Burnside reviews the latest offering by acclaimed performer Briony Kimmings.
Michael Cox reviews a ‘fantastically theatrical and constantly riveting’ production.
Anna Burnside reviews a production with a lot going on but becomes ‘a multimedia mess’.
Anna Burnside reviews a production with solid performances but lacks theatricality.
Anna Burnside reviews ‘an impressive piece of writing elevated by a superb performance’.
Anna Burnside reviews a production with a script that’s ‘fresh and sparky’ that’s ‘something special’.
Anna Burnside reviews a production that ‘evokes the intensity of youthful friendships’.
Anna Burnside reviews a ‘taught’ production of the classic bloody Jacobean tragedy.
Anna Burnside reviews ‘a muddy and underpowered piece of work’.
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