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Arts:Blog

Theatre Review: Antigone ****

Anna Burnside reviews a ‘compelling version’ of the classic tragedy.

Theatre Review: Happy Days *****

Anna Burnside reviews an excellent production with a ‘magnificent’ central performance.

Theatre Review: I’ll Be Seeing You **

Anna Burnside reviews a production that ‘falls flat’.

Theatre Review: Paranormal Activity ****

Scott Purvis-Armour reviews ‘a bone-chilling frightfest which plunges every seat into anxiety, fear and horror’.

Theatre Review: The Whaler’s Wife ***

Anna Burnside reviews this week’s offering at A Play, A Pie and A Pint.

Theatre Review: Feel_Good ***

Anna Burnside reviews a production with ‘a timely and important subject’.

Theatre Review: Transparent ***

Anna Burnside reviews this week’s A Play, A Pie and A Pint offering.

Theatre Review: High Society ***

Michael Cox reviews ‘a bubbly delight’.

Theatre Review: 1984 ****

Anna Burnside reviews a ‘thoughtful new adaptation’ of the classic--and pertinent--story.

Review: Ready Tae Drap ***

Anna Burnside reviews the initial production of the current A Play, A Pie and A Pint season.

EdFest Review: Tether ****

Anna Burnside reviews ‘a much-needed reminder of the unifying power of performance, music, dancing and love’.

EdFest Review: Slayers ****

Michael Cox reviews a production that asks essential questions.

EdFest Review: Camelton ****

Michael Cox reviews a love letter to musical theatre.

EdFest Review: The Skarsgard Effect ***

Michael Cox reviews ‘a good night out’.

Theatre Review: A History of Paper ****

Michael Cox reviews ‘an absolute powerhouse’ of a production.

EdFest Review: Hang Time ****

Anna Burnside reviews ‘an important story well told’.

EdFest Review: Prophets ***

Anna Burnside reviews a flawed production with solid performances.

EdFest Review: Little Animals ****

Anna Burnside reviews a thoughtful production.

EdFest Review: The King of All Birds ****

Anna Burnside reviews ‘something satisfying and completely of itself’.

EdFest Review: Angels in America ****

Michael Cox reviews a production that ‘works remarkably well’.

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