Jo Turbitt reviews 'a fantastic programme of delicious dance'.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Jo Turbitt reviews a production that has a lot to say but feels a little underwhelming.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Jo Turbitt reviews a production that 'starts with oomph, goes a bit experimental in the middle and then goes out with a bang'.
Jo Turbitt reviews the latest tour from the famed company.
Michael Cox reviews 'a wonderfully staged musical that works a treat'.
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Ashling Findlay-Carroll reviews Scary Shit, Beards Beards Beards and Stories to Tell in the Middle of the Night.
Michael Cox reviews Us/Them, Denton & Me, One Hundred Homes, Hillary Clinton, Blank and (I Could Go On Singing) Over the Rainbow.
Ashling Findlay-Carroll reviews Whiteout, A Plague of Idiots, Faslane and Only Bones.
Michael Cox reviews Counting Sheep, World Without Us and Cut.
Jo Turbitt reviews a production full of stunning talents.
Ashling Findlay-Carroll reviews 'a great night out' and a production that's 'equal parts shocking and straightforward'.
Jo Turbitt reviews a production full of gumption but is a missed opportunity.
Ashling Findlay-Carroll reviews If there's not dancing at the revolution, I'm not coming, We Are Bronte and 5 out of 10 men.
Michael Cox reviews In Tents and Purposes, Wrecked, Stuff, How Is Uncle John and Binari.