Ashling Findlay-Carroll reviews Once, How to be a Rock Star and Back of the Bus.
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Michael Cox reviews Letters to Windsor House, Bubble Schmeisis, Adler & Gibb, Heads Up and Last Call.
Jo Turbitt reviews SKAL & Silent Space and The Rooster & Partial Memory.
Ashling Findlay-Carroll reviews THE END, May-We-Go Round and Your Majesties.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Michael Cox reviews a production with a long running time but ends up being 'wonderfully rewarding'.
Lorna Irvine reviews a 'superb' award-winning production.
Michael Cox reviews an unfortunately repetitive production.
Michael Cox reviews Adam Long's Dickens Abridged, Titania--A Solo Cabaret and The Turn of the Screw.
Rachael Keiller reflects on a production that became a personal journey.
Lorna Irvine reviews a production that's 'bewitching at its best, bewildering on occasion but always beautifully performed'.
Rachael Keiller reviews 'a little gem'.
Jo Turbitt thinks this production has a great company of dancers but is a flawed production.
Lorna Irvine finds much to like in a production that, like life itself, is inconsistent.
Jo Turbitt is disappointed with this offering that's part of this year's EIF.
Lorna Irvine reviews a production with a woman who's 'hilarious and badass'.
Jo Turbitt reviews 'an outstanding concert'.
Lorna Irvine reviews 'a delightfully meandering comedy cabaret'.
Michael Cox reviews three dance pieces supported by The Place.
Michael Cox reviews The Litvinenko Project, Fable and Smash It Up.
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