Ashling Findlay-Carroll reviews a 'funny and poignant exploration of growing up in a small town'.
Ashling Findlay-Carroll reviews a production with great performances but is in need of better direction.
Ashling Findlay-Carroll reviews a production with 'unashamedly camp frivolity' but also has real heart.
Ashling Findlay-Carroll reviews a performance that's 'deliciously rude and playfully taboo'.
Ashling Findlay-Carroll reviews a 'story that should be told' that 'is executed beautifully'.
Ashling Findlay-Carroll reviews a production that's 'thought provoking and bonkers in equal parts'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Ashling Findlay-Carroll reviews a production headlined with a phenomenal performer 'who has poise, charisma and stamina by the bucket load'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
Ashling Findlay-Carroll reviews a hit-or-miss production.
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Michael Cox reviews a searing production with a phenomenal central performance.
Michael Cox reviews 'an excellent production that is sometimes thrilling but always moving'.
Michael Cox reviews 'a production that is entertaining and uncomfortable in equal measures'.
Michael Cox reviews two productions dealing with the theme of gender transition.
Michael Cox reviews a terrific production that's 'frequently funny'.
Michael Cox reviews Jess and Joe Forever (***), Lilith--The Jungle Girl (***) and Nassim (****).
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Michael Cox reviews a 'poignant, humane and touching' production.
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