Jo Turbitt reviews a production full of gumption but is a missed opportunity.
Ashling Findlay-Carroll reviews If there's not dancing at the revolution, I'm not coming, We Are Bronte and 5 out of 10 men.
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Michael Cox reviews In Tents and Purposes, Wrecked, Stuff, How Is Uncle John and Binari.
Michael Cox reviews The Red Shed, Daffodils and Milk.
Ashling Findlay-Carroll reviews Once, How to be a Rock Star and Back of the Bus.
Michael Cox reviews Letters to Windsor House, Bubble Schmeisis, Adler & Gibb, Heads Up and Last Call.
Jo Turbitt reviews SKAL & Silent Space and The Rooster & Partial Memory.
Ashling Findlay-Carroll reviews THE END, May-We-Go Round and Your Majesties.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Michael Cox reviews a production with a long running time but ends up being 'wonderfully rewarding'.
Lorna Irvine reviews a 'superb' award-winning production.
Michael Cox reviews an unfortunately repetitive production.
Michael Cox reviews Adam Long's Dickens Abridged, Titania--A Solo Cabaret and The Turn of the Screw.
Rachael Keiller reflects on a production that became a personal journey.
Lorna Irvine reviews a production that's 'bewitching at its best, bewildering on occasion but always beautifully performed'.
Rachael Keiller reviews 'a little gem'.
Jo Turbitt thinks this production has a great company of dancers but is a flawed production.
Lorna Irvine finds much to like in a production that, like life itself, is inconsistent.
Jo Turbitt is disappointed with this offering that's part of this year's EIF.
Lorna Irvine reviews a production with a woman who's 'hilarious and badass'.
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