Lorna Irvine reviews a 'small but poignant show'.
Lorna Irvine reviews a modern adaptation of a classic which 'fails to ever really ignite'.
Lorna Irvine reviews 'a furious symphony of disdain and dissolution'.
Lorna Irvine reviews a 'thin, rather dull' production.
Lorna Irvine reviews a performance that is 'decadent, endearing and more fun than is possibly decent'.
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Michael Cox reviews a production with a long running time but ends up being 'wonderfully rewarding'.
Lorna Irvine reviews a production with some great moments but 'feels overlong, overwrought...and a little bit compromised'.
Lorna Irvine reviews 'a visceral anti-war statement'.
Lorna Irvine reviews a 'superb' award-winning production.
Michael Cox reviews an unfortunately repetitive production.
Michael Cox reviews Adam Long's Dickens Abridged, Titania--A Solo Cabaret and The Turn of the Screw.
Rachael Keiller reflects on a production that became a personal journey.
Lorna Irvine reviews a production that's 'bewitching at its best, bewildering on occasion but always beautifully performed'.
Rachael Keiller reviews 'a little gem'.
Lorna Irvine finds much to like in a production that, like life itself, is inconsistent.
Lorna Irvine reviews a production with a woman who's 'hilarious and badass'.
Lorna Irvine reviews 'a delightfully meandering comedy cabaret'.
Michael Cox reviews three dance pieces supported by The Place.
Michael Cox reviews The Litvinenko Project, Fable and Smash It Up.
Lorna Irvine reviews an 'absolutely beautiful' production.
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