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Arts:Blog

Dance Review: Yama & Kingdom

Lorna Irvine is both impressed and moved by Scottish Dance Theatre's latest.

Cinema Review: Caravaggio (18)

Lorna Irvine reviews the reissue of the 'iconoclastic, provocative' film.

Laptop Guy--Not Your Typical Comic Book Hero

Lorna Irvine reports on a new graphic novel.

Cinema Review: Mood Indigo (15)

Lorna Irvine reviews 'an endless comedic orgy of invention'.

Dance Review: Matthew Bourne's Swan Lake

Lorna Irvine reviews the modern classic.

Music Review: Toujours

Lorna Irvine reviews the new album by Sabina Sciubba.

Theatre Review: Fishwrap

Lorna Irvine reviews a 'somewhat nice production'.

Music Review: Bill Callahan

Lorna Irvine reviews an eclectic evening at Celtic Connections.

Music Review: Des Temps Antan

Lorna Irvine reviews 'a triumphant night' at the Mitchell Theatre for Celtic Connections.

Theatre Review: Frank's Dead

Lorna Irvine reviews a 'funny, sweet and touching' play at Oran Mor.

Theatre Review: Twelfth Night

Lorna Irvine reviews an experimental production gone wrong.

Theatre Review: Long Day's Journey into Night

Michael Cox reviews the Royal Lyceum's 'worthy' production of the American classic.

Music Review: Amadou and Mariam

Lorna Irvine reviews 'a wonderful, exuberant experience' that's part of this year's Celtic Connections.

Theatre Review: Ciara

Lorna Irvine reviews the 'stunning' production.

Spring has sprung for A Play, a Pie and a Pint

Lorna Irvine has an informative, and cheeky, conversation with PPP's executive producer.

Music Review: Warpaint

Lorna Irvine reviews the new album from 'a band who just keep growing in scope and ambition'.

Music: Five to Watch for 2014

Lorna Irvine presents her list of acts to watch throughout the year.

Review: PianoMime

Amy Taylor reviews 'a real good feel-good cacophony of piano, panto, humour and song'.

Theatre Review: Christmas Shows

Michael Cox reviews Dick McWhittington, Aladdin, Peter Pan and Irving Berlin's White Christmas.

Dance Review: Hansel and Gretel

Lorna Irvine reviews Scottish Ballet's version of the classic tale.

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