Anna Burnside reviews a multi-layered and entertaining performance.
Anna Burnside reviews the return of a Fringe favourite from ten years ago.
Anna Burnside reviews ‘a hugely impressive achievement’.
Anna Burnside reviews ‘a nuanced and moving piece’.
Anna Burnside reviews ‘a strong and thoughtful piece of writing’.
Anna Burnside reviews a performance that’s ‘all about the fun’.
Anna Burnside reviews ‘a delightful piece of work, observational yet absurd, cleverly constructed but with flashes of improvisation’.
Anna Burnside reviews a performance ‘that finds the funny bits in addiction without shying away from the darkness’.
Anna Burnside reviews a ‘raw and personal’ performance filled with ‘warmth, charm and comedic skills’.
Anna Burnside reviews ‘a jolly hour’ with some observations that ‘ring cringingly true’.
Anna Burnside reviews a ‘loving celebration’ of friendship with many recognisable moments.
Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’
Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’
Anna Burnside reviews a performance of magical realism that works well.
Anna Burnside reviews a set from ‘an impressive performer.’
Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’
Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.
Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’
Michael Cox reviews the latest production by the acclaimed company Sh!t Theatre.
Michael Cox reviews an essential and moving performance.
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