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Michael Cox reviews Shit-Faced Shakespeare and William Shakespeare's Long Lost First Play (abridged).
Michael Cox reviews Counting Sheep, World Without Us and Cut.
Michael Cox reviews Early Doors, NewsRevue and 24 Hours with Mary Lynn Rajskub.
Jo Turbitt reviews a production full of stunning talents.
Ashling Findlay-Carroll reviews 'a great night out' and a production that's 'equal parts shocking and straightforward'.
Michael Cox reviews a production that's 'well done and filled with good humour'.
Michael Cox reviews I Got Superpowers for my Birthday, Every Brilliant Thing, All the Things I've Lied About, Scorch, Jonny & the Baptists--Eat the Poor and Ghost Quartet.
Michael Cox reviews 'an unforgettable performance'.
Michael Cox reviews 'an exceptional production of an exceptional play'.
Jo Turbitt reviews an experience that's 'seriously great'.
Jo Turbitt reviews a production full of gumption but is a missed opportunity.
Ashling Findlay-Carroll reviews If there's not dancing at the revolution, I'm not coming, We Are Bronte and 5 out of 10 men.
Michael Cox reviews In Tents and Purposes, Wrecked, Stuff, How Is Uncle John and Binari.
Michael Cox reviews The Red Shed, Daffodils and Milk.
Ashling Findlay-Carroll reviews Once, How to be a Rock Star and Back of the Bus.
Michael Cox reviews Letters to Windsor House, Bubble Schmeisis, Adler & Gibb, Heads Up and Last Call.
Jo Turbitt reviews SKAL & Silent Space and The Rooster & Partial Memory.
Ashling Findlay-Carroll reviews THE END, May-We-Go Round and Your Majesties.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Amy Taylor reviews a film 'with some stunning imagery, but little else'.
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