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Arts:Blog

Review: Glenn Moore--Please Sir, Glenn I Have Some More ****

Anna Burnside reviews a multi-layered and entertaining performance.

Review: A Gambler’s Guide to Dying ****

Anna Burnside reviews the return of a Fringe favourite from ten years ago.

Review: Make It Happen *****

Anna Burnside reviews ‘a hugely impressive achievement’.

Review: Rift ****

Anna Burnside reviews ‘a nuanced and moving piece’.

Review: Red Like Fruit ****

Anna Burnside reviews ‘a strong and thoughtful piece of writing’.

Review: Parker Callahan--Soda Pop ***

Anna Burnside reviews a performance that’s ‘all about the fun’.

Review: Susan Harrison--Should I Still Be Doing This? ****

Anna Burnside reviews ‘a delightful piece of work, observational yet absurd, cleverly constructed but with flashes of improvisation’.

Review: Tiff Stevenson--Post Coital ***

Anna Burnside reviews ‘a jolly hour’ with some observations that ‘ring cringingly true’.

Film Review: ‘What We Do For Love'

Nathan Breen reviews the films Kill the Jockey, Boys Go to Jupiter and Bob Trevino Likes It.

‘Immersed in Enchantment'

Michael Cox reports on this year’s Enchanted Forest production of Symphony of Nature.

Festival Review: The Marriage of Figaro ****

Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’

Festival Review: Hamlet ****

Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’

Festival Review: Comala, Comala ***

Anna Burnside reviews a performance of magical realism that works well.

Festival Review: Alison Larkin--Grief...A Comedy ***

Anna Burnside reviews a set from ‘an impressive performer.’

Festival Review: A Knock on the Roof ****

Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’

Festival Review: Extraordinary Trash

Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.

Festival Review: Arturo Brachetti--SOLO ***

Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’

Festival Review: Or What's Left of Us ****

Michael Cox reviews the latest production by the acclaimed company Sh!t Theatre.

Festival Review: Nigamon/Tunai ****

Michael Cox reviews an essential and moving performance.

Festival Review: Super Sexy Poetry Show ****

Michael Cox reviews a poetry performance 'with much worth listening to.'

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