Lorna Irvine falls for 'magnificent pop genius'.
Lorna Irvine speaks with artistic director Vala Fannell.
Lorna Irvine reviews 'an uncompromising selection' of music from an iconic label.
Lorna Irvine reviews an 'excellent collaboration' between Katharine Blake and Nick Marsh.
Lorna Irvine reviews an album that's 'all too safe, bland and comfortable'.
Lorna Irvine reviews 'a strange brew...but a refreshing one'.
Lorna Irvine reviews an album from a band that 'have integrity and ideas as well as making pithy perfect pop which never outstays its welcome'.
Lorna Irvine reports on another rising talent.
Lorna Irvine reviews a performance that is 'decadent, endearing and more fun than is possibly decent'.
Lorna Irvine reviews a production with some great moments but 'feels overlong, overwrought...and a little bit compromised'.
Lorna Irvine reviews the recent concert at the CCA.
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Michael Cox reviews Adam Long's Dickens Abridged, Titania--A Solo Cabaret and The Turn of the Screw.
Lorna Irvine finds much to like in a production that, like life itself, is inconsistent.
Lorna Irvine reviews a production with a woman who's 'hilarious and badass'.
Jo Turbitt reviews 'an outstanding concert'.
Lorna Irvine reviews 'a delightfully meandering comedy cabaret'.
Lorna Irvine reviews 'a sexy, high-octane romp'.
Lorna Irvine reviews 'a masterpiece'.
Lorna Irvine reviews 'an irresistible exploration of what pop outsiders can do'.
Lorna Irvine speaks with 'the legendary Jonny Woo' about the upcoming performance of Transformer at this year's Fringe.
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