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Michael Cox reviews a production that works well in moments.
Joy Watters reviews a production with strong performances but in need of 'a bit of energising'.
Michael Cox describes what happened to him as a juror in Grid Iron and Traverse Theatre's recent production of Jury Play.
Jo Turbitt reviews a production that has 'sensitivity, brutality and gumption'.
Michael Cox reviews a production with 'a masterclass of a performance' by Ian McDiarmid.
Joy Watters reviews a production that 'is a very funny and utterly bleak portrait of the modern dysfunctional family'.
Joy Watters reviews a production that's 'bold and brimming with chutzpah'.
Ashling Findlay-Carroll reviews a production that is 'moving, inspiring and hilarious'.
Ashling Findlay-Carroll reviews 'a thought-provoking show as bizarre and comical as it is infuriating'.
Edward Charles reviews a play that balances tragedy with comedy by an impressive young company.
Ashling Findlay-Carroll reviews a moving call to action.
Ashling Findlay-Carroll reviews a 'heart-warming and hilarious' production.
Ashling Findlay-Carroll reviews a production that leaves audiences 'feeling delighted, calm and just a little bit bemused'.
Ashling Findlay-Carroll reviews a 'raunchy' cabaret that hits all the right buttons.
Ashling Findlay-Carroll speaks with the creators of Hilda & the Spectrum.
Jo Turbitt reviews 'a cocktail of seduction, sensitivity, laughter and sorrow'.
Michael Cox reviews How to Act, A Hundred Different Words for Love, Doglife and Siri.
Michael Cox reviews an anticipated production that throws away a promising premise.
Michael Cox reviews a production with good performances but a mess of a script.
Ashling Findlay-Carroll reviews a 'downright silly and delightfully charming' production.
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