Lorna Irvine reviews 'an overlooked little treasure' that's part of the Tekno Women Season.
In lieu of the passing of director Mike Nichols, Lorna Irvine reflects on one of his greatest films: Who's Afraid of Virginia Woolf.
Lorna Irvine reviews director Hamish Hamilton's cinematic journey through the recent exhibition of the iconic musician.
Lorna Irvine reports from the icon's performance 'This Filthy World Vol 2', recently seen at the O2 Academy in Glasgow.
Lorna Irvine reviews an 'affecting and tender' film.
Lorna Irvine reviews a film 'as rich, stylised and lyrical as any decent music film should be'.
Lorna Irvine reports on a Glasgay! one-night stand by the infamous provocateur.
Missy Lorelei reviews 'an intelligent, stringently left-wing film that is also a fun crowd-pleaser'.
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Michael Cox reviews Helen Lawrence, Ubu and the Truth Commission and FRONT.
Lorna Irvine reviews 'a likeable enough effort' about the indie music scene in Glasgow.
Lorna Irvine raves about the 'hilarious, poignant, defiantly unsentimental' film.
Lorna Irvine reviews 'a cinematic experience that will haunt and delight you'.
Lorna Irvine reviews two films from the new arts documentary festival.
Lorna Irvine reviews Jonathan Glazer's 'intense, impressionistic journey' through Scotland.
Lorna Irvine reviews the new 'free-wheelingly funny, occasionally sick, madcap' film by Wes Anderson.
Lorna Irvine reviews 'a funny, ravishing' film.
Lorna Irvine reviews an 'utterly charming' film.
Lorna Irvine reviews the latest from Spike Jonze.
"Girls to the Front!" Lorna Irvine reviews the celebration of music icon Kathleen Hanna.
Lorna Irvine reviews a film that 'feels a bit hollow'.
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