Ashling Findlay-Carroll reviews a 'story that should be told' that 'is executed beautifully'.
Ashling Findlay-Carroll reviews a production that's 'thought provoking and bonkers in equal parts'.
Jo Turbitt reviews a collection of pieces performing at Dance Base at this year's Festival Fringe.
Ashling Findlay-Carroll reviews a production headlined with a phenomenal performer 'who has poise, charisma and stamina by the bucket load'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
Ashling Findlay-Carroll reviews a hit-or-miss production.
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Michael Cox reviews a searing production with a phenomenal central performance.
Michael Cox reviews 'an excellent production that is sometimes thrilling but always moving'.
Michael Cox reviews 'a production that is entertaining and uncomfortable in equal measures'.
Michael Cox reviews two productions dealing with the theme of gender transition.
Michael Cox reviews a terrific production that's 'frequently funny'.
Michael Cox reviews Jess and Joe Forever (***), Lilith--The Jungle Girl (***) and Nassim (****).
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Michael Cox reviews a 'poignant, humane and touching' production.
Ashling Findlay-Carroll reviews a wonderful celebration of Martyn Bennett's classic work.
Michael Cox reviews a production with a brilliant central performance but a lot of problems.
Ashling Findlay-Carroll reviews Scary Shit, Beards Beards Beards and Stories to Tell in the Middle of the Night.
Michael Cox reviews Mungo Park, Micky and Addie, The Dwelling Place, Under Ice and The Castle Builder.
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