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Arts:Blog

Theatre Review: High Society ***

Michael Cox reviews ‘a bubbly delight’.

Theatre Review: 1984 ****

Anna Burnside reviews a ‘thoughtful new adaptation’ of the classic--and pertinent--story.

Review: Ready Tae Drap ***

Anna Burnside reviews the initial production of the current A Play, A Pie and A Pint season.

EdFest Review: Tether ****

Anna Burnside reviews ‘a much-needed reminder of the unifying power of performance, music, dancing and love’.

EdFest Review: Slayers ****

Michael Cox reviews a production that asks essential questions.

EdFest Review: Camelton ****

Michael Cox reviews a love letter to musical theatre.

EdFest Review: The Skarsgard Effect ***

Michael Cox reviews ‘a good night out’.

Theatre Review: A History of Paper ****

Michael Cox reviews ‘an absolute powerhouse’ of a production.

EdFest Review: Hang Time ****

Anna Burnside reviews ‘an important story well told’.

EdFest Review: Prophets ***

Anna Burnside reviews a flawed production with solid performances.

EdFest Review: Little Animals ****

Anna Burnside reviews a thoughtful production.

EdFest Review: The King of All Birds ****

Anna Burnside reviews ‘something satisfying and completely of itself’.

EdFest Review: Angels in America ****

Michael Cox reviews a production that ‘works remarkably well’.

EdFest Review: Call Me Elizabeth ***

Anna Burnside reviews a two-part production with ‘a convincing’ performance but lacks drama.

EdFest Review: The Tao of Lloyd ***

Anna Burnside reviews a production with ‘a smart conceit’.

EdFest Review: Ulysses of Scranton ***

Anna Burnside says ‘there is much to love about this throw-everything-at-the-wall production’.

Ed Fest: The Singer ***

Anna Burnside reviews ‘an enjoyable and uplifting’ production.

EdFest Review: ROLEPLAY ***

Anna Burnside reviews an anticipated production that asks questions but doesn’t give many answers.

EdFest Review: Ludwig: Unfinished Business ***

Anna Burnside reviews a production with ‘some strong musical jokes and whimsies’.

EdFest Review: Mayflies ****

Anna Burnside reviews Grid Iron’s adaptation of the acclaimed novel.

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