Anna Burnside reviews ‘a refreshing, if not always completely successful’ production.
Anna Burnside reviews this week’s lunchtime theatre offer--a ‘clever’ translation that ‘shows rather than tells’.
Anna Burnside reviews ‘a dreamy way to spend a lunchtime’.
Anna Burnside reviews ‘a masterclass in adapting a classic for a new audience’.
Anna Burnside reviews the current tour of the Scottish classic.
Scott Purvis-Armour reviews ‘a surprisingly half-baked musical’ with strong performances.
Anna Burnside reviews a production with solid performances but a flawed script.
Anna Burnside reviews the tour of the acclaimed modern theatrical classic.
Anna Burnside reviews a production with a ‘nimble and convincing’ cast but a play that ‘suffers from too many ideas’.
Anna Burnside reviews a ‘compelling version’ of the classic tragedy.
Anna Burnside reviews an excellent production with a ‘magnificent’ central performance.
Anna Burnside reviews a production that ‘falls flat’.
Scott Purvis-Armour reviews ‘a bone-chilling frightfest which plunges every seat into anxiety, fear and horror’.
Anna Burnside reviews this week’s offering at A Play, A Pie and A Pint.
Anna Burnside reviews a production with ‘a timely and important subject’.
Anna Burnside reviews this week’s A Play, A Pie and A Pint offering.
Michael Cox reviews ‘a bubbly delight’.
Anna Burnside reviews a ‘thoughtful new adaptation’ of the classic--and pertinent--story.
Anna Burnside reviews the initial production of the current A Play, A Pie and A Pint season.
Anna Burnside reviews ‘a much-needed reminder of the unifying power of performance, music, dancing and love’.
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