Ashling Findlay-Carroll reviews a performance that's 'deliciously rude and playfully taboo'.
Ashling Findlay-Carroll reviews a 'story that should be told' that 'is executed beautifully'.
Ashling Findlay-Carroll reviews a production that's 'thought provoking and bonkers in equal parts'.
Ashling Findlay-Carroll reviews a production headlined with a phenomenal performer 'who has poise, charisma and stamina by the bucket load'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
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Michael Cox reviews a searing production with a phenomenal central performance.
Michael Cox reviews 'an excellent production that is sometimes thrilling but always moving'.
Michael Cox reviews 'a production that is entertaining and uncomfortable in equal measures'.
Michael Cox reviews two productions dealing with the theme of gender transition.
Michael Cox reviews a terrific production that's 'frequently funny'.
Michael Cox reviews Jess and Joe Forever (***), Lilith--The Jungle Girl (***) and Nassim (****).
Joy Watters reviews a production with a lacklustre first act but comes alive in the second.
Joy Watters reviews 'Alan Ayckbourn’s hilarious and insightful social commentary of the 1970s'.
Joy Watters reviews a 'mysterious and troubling piece'.
Joy Watters reviews a production of a nightmarish story with outstanding performances.
Joy Watters reviews a touring production with beautifully polished performances.
Joy Watters reviews a new production of a musical with well-loved songs 'which features a particularly strong chorus'.
Joy Watters reviews the second part in a trilogy of work looking at the lives of people affected by the 306 men shot for cowardice in WWI.
Michael Cox reviews a production that's technically brilliant yet doesn't work.
Jo Turbitt reviews a 'moving, funny and devastating' production.
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