Jo Turbitt reviews an experience that's 'seriously great'.
Jo Turbitt reviews a production full of gumption but is a missed opportunity.
Ashling Findlay-Carroll reviews If there's not dancing at the revolution, I'm not coming, We Are Bronte and 5 out of 10 men.
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Michael Cox reviews In Tents and Purposes, Wrecked, Stuff, How Is Uncle John and Binari.
Michael Cox reviews The Red Shed, Daffodils and Milk.
Ashling Findlay-Carroll reviews Once, How to be a Rock Star and Back of the Bus.
Michael Cox reviews Letters to Windsor House, Bubble Schmeisis, Adler & Gibb, Heads Up and Last Call.
Jo Turbitt reviews SKAL & Silent Space and The Rooster & Partial Memory.
Ashling Findlay-Carroll reviews THE END, May-We-Go Round and Your Majesties.
Michael Cox reviews Expensive Shit, My Eyes Went Dark, In Fidelity, Diary of a Madman and Greater Belfast.
Michael Cox reviews a production that's 'frequently funny with bold moments that will be difficult to forget'.
Michael Cox reviews the first two productions of this year's Bard in the Botanics summer season.
Joy Watters reviews 'a thoughtful and challenging piece'.
Michael Cox reviews an excellent night of musical theatre.
Joy Watters reviews a production with a company 'firing on all cylinders'.
Joy Watters reviews a theatrical commemoration of lives lost in WWI.
Michael Cox reviews an enjoyable production that has excellent performances but is missing something.
Jo Turbitt (and her 8-year-old companion) review a 'poignant, cheeky, magical' production.
Michael Cox reviews an impressive production with an unforgettable performance.
Jo Tubitt has nothing but superlatives for this latest tour of the acclaimed company.
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