Anna Burnside reviews a well-intentioned production let down by ‘a clanky’ script.
Anna Burnside reviews ‘a sweet show.’
Anna Burnside reviews a production that ‘walks the fine line between panto and popular theatre with huge confidence and charm.’
Anna Burnside reviews ‘a clever one-man musical’.
Michael Cox reviews a production that’s ‘a fun (and surprisingly short) night out’ that ‘doesn’t quite live up to its promise.
Anna Burnside reviews ‘a well constructed’ remount of a production from A Play, A Pie and A Pint’s initial season.
Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’
Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’
Anna Burnside reviews a performance of magical realism that works well.
Anna Burnside reviews a set from ‘an impressive performer.’
Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’
Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.
Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’
Michael Cox reviews the latest production by the acclaimed company Sh!t Theatre.
Michael Cox reviews an essential and moving performance.
Michael Cox reviews a poetry performance 'with much worth listening to.'
Scott Purvis-Armour reviews 'an essential Fringe experience.'
Anna Burnside reviews a strong production 'with musicality and atmosphere.'
Anna Burnside reviews a stand-up set 'with big ideas' that are underdeveloped.
Anna Burnside reviews a set from 'a likeable performer'.
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