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Arts:Blog

The Great British Wake Off

Lorna Irvine reviews Etiquette of Grief.

Theatre Review: Janis Joplin: Full Tilt

Lorna Irvine gives high praises to the latest offering at A Play, a Pie and a Pint.

Theatre Review: Wilful Forgetting

'Low-key, cerebral and very touching', Lorna Irvine finds the ingredients to a winning production.

Review: Dream/Life

Lorna Irvine struggles with a production 'not without its moments'.

Theatre Review: The Deficit Show

'Dark, clever and full of pithy one-liners,' Lorna Irvine reviews the latest Oran Mor production.

Theatre Review: Monkey Bars

Lorna Irvine reviews 'One of the most joyful, sad, poignant, life-affirming slices of verbatim theatre yet.'

Theatre Review: True West

Lorna Irvine is very impressed by the recent Citizens Theatre production.

Review: The Worst of Scottee

'Funny, intimate, brave and visceral,' Lorna Irvine relishes the recent production at the Arches.

Theatre Review: Grave Undertaking

Lorna Irvine finds much to love in this treat from A Play, a Pie and a Pint.

Theatre Review: Doras Duinte (Closed Door)

Lorna Irvine is disappointed by the latest lunchtime production at Oran Mor.

 

Theatre Review: Cured

Lorna Irvine reviews the 'touching, tender and haunting' production, part of this year's Glasgay! festival.

Theatre Review: Dragon

Lorna Irvine is completely enchanted and amazed by the tour production.

Event Report: Conflux with 85A: Mask Pit(ch)

Lorna Irvine reports on the recent presentation of work at the Briggait.

Happy Birthday Glasgay--20 years young!

Missy Lorelei takes a cheeky look at some of the acclaimed festival's highlights for this year.

Theatre Review: Dark Road

Amy Taylor feels more than a little disappointed by Ian Rankin’s long-awaited playwriting debut.

Theatre Review: The Trouble with Double

Missy Lorelei isn't sure if the latest offering from A Play, a Pie and a Pint is meant to be ironic or is just bad.

Theatre Review: In Time O'Strife

Joy Watters reviews 'a fine piece with some particularly outstanding performances from the female players'.

Theatre Review: Rob Drummond's Bullet Catch

Lorna Irvine takes a leap of faith at the Arches.

Stalking Clout

This is the tale of how a critic crumbled. For Lorna Irvine, being an arts critic wasn't enough. She ended up stalking one of her favourite theatre companies, the Lecoq trained trio Clout Theatre, at the Edinburgh Fringe in August this year. With blood, sweat and vegetable-related violence, it's not a pretty story. Read her confessions here.

Event Review: Arches Live 2013

Lorna Irvine reviews several featured performances from the acclaimed festival.

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