Anna Burnside reviews a performance ‘that finds the funny bits in addiction without shying away from the darkness’.
Anna Burnside reviews a ‘raw and personal’ performance filled with ‘warmth, charm and comedic skills’.
Anna Burnside reviews ‘a jolly hour’ with some observations that ‘ring cringingly true’.
Scott Purvis-Armour reviews the Scottish return of the acclaimed (and controversial) Broadway and West End smash.
Anna Burnside reviews a smart and witty production.
Michael Cox reviews a production that ‘manages to enrapture the audience in a collective sense of wonder and delight.’
Anna Burnside reviews a set from ‘an impressive performer.’
Michael Cox reviews a poetry performance 'with much worth listening to.'
Anna Burnside reviews a stand-up set 'with big ideas' that are underdeveloped.
Anna Burnside reviews a set from 'a likeable performer'.
Anna Burnside reviews a 'cleverly self-deprecating' set.
Anna Burnside reviews a production that 'looks great' and has a solid performance but is 'ultimately unsatisfying'.
Anna Burnside reviews a stand-up set that 'deserves the recognition this seems set to bring'.
Anna Burnside reviews 'an enjoyable' comedic set.
Anna Burnside reviews a dark comedic act with 'sass and substance'.
Anna Burnside reviews the satirical fringe hit that stumbles in its full-length version.
Michael Cox reviews the acclaimed performers latest tour.
Michael Cox reviews the 'terrific' celebration of Billy Connolly.
Scott Purvis reviews a 'tight, fast-paced play' filled with hilarious characters.
Jo Turbitt reviews a production that did more than just bring her laughter.
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