Anna Burnside reviews the tour of acclaimed choreographer Matthew Bourne’s latest adaptation.
Anna Burnside reviews a production filled ‘with visual delight and technological accomplishment’.
Anna Burnside reviews a production with ‘huge ambition and scope’.
Anna Burnside reviews an impressive production with ‘visual fireworks’.
Anna Burnside reviews a production with impressive skills.
Anna Burnside reviews a ‘moving, surprising and often funny’ production.
Anna Burnside reviews a ‘loving celebration’ of friendship with many recognisable moments.
Michael Cox reviews an ‘impressive’ production with ‘hypnotic, dazzling and entertaining’ staging.
Michael Cox reviews a production that ‘manages to enrapture the audience in a collective sense of wonder and delight.’
Anna Burnside reviews a production that ‘has huge charm and energy.’
Michael Cox reviews an essential and moving performance.
Michael Cox reviews a piece that is 'compelling, beautiful and stirring.'
Anna Burnside reviews a production filled with 'a combination of movements that mix the familiar with the unexpected and the frankly unbelievable'.
Anna Burnside reviews 'a brilliantly moving and illuminating piece of storytelling'.
Michael Cox reviews After the Act, Bloody Elle, Havana Street Party, Lightening Ridge, Concerned Others and Stuntman.
Michael Cox reviews 'an enjoyable production that will surely entertain and be an audience favourite'.
Jo Turbitt reviews a productions that has 'an abundance of potential' but gets lost.
Jo Turbitt reviews a piece that has 'lots of interesting ideas' that 'are not fully explored or utilised'.
Jo Turbitt reviews a piece that's 'expertly simple and yet crafted with complexity'.
Jo Turbitt reviews 'an intriguing and compelling piece' by Scottish Ballet.
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