Michael Cox reflects on his experience at a Fringe cult favourite.
Anna Burnside reviews a ‘delicious’ celebration of Scottish panto.
Anna Burnside reviews with some ‘rough edges’.
Anna Burnside reviews a production that is ‘charming, funny, warm’ and ‘subverts a sexist trope’.
Anna Burnside reviews ‘a deeply moving and lyrical performance’.
Anna Burnside reviews ‘a strong idea for a show’.
Anna Burnside reviews ‘a show that examines the cringe factor without being cringe’.
Michael Cox reviews a poetry performance 'with much worth listening to.'
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Michael Cox reviews 'an emotionally opulent' production.
Ashling Findlay-Carroll reviews a production that is 'moving, inspiring and hilarious'.
Ashling Findlay-Carroll reviews a production that leaves audiences 'feeling delighted, calm and just a little bit bemused'.
Michael Cox writes about the seminal play and the current touring production from Dundee Rep.
Michael Cox reviews two excellent productions, part of this year's Edinburgh International Festival.
Michael Cox reviews a TED talk-like presentation filled with impressive multimedia.
Lorna Irvine reviews an 'impressive' production.
Lorna Irvine looks at the most recent recipient of the celebrated Platform 18 Award.
Michael Cox reviews Near Gone, Shakespeare, His Wife and the Dog, Lands of Glass and ViewMaster.
Michael Cox reviews KlangHaus, Klip, A Journey Round My Skull, Head in the Clouds, The Future for Beginners and Dead to Me.
Michael Cox reviews Cuckooed, Unfaithful, SmallWar and riverrun.
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