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Michael Cox reviews a solid production of a weak script.
Jo Turbitt finds the new tour of the musical 'entertaining and enjoyable' but thinks a key part is lacking.
Michael Cox reviews a production 'with big ideas but little substance'.
Michael Cox reviews 'a brilliantly theatrical and emotionally resonant' production.
Michael Cox reviews a 'poetically beautiful and wonderfully engaging' experience.
Michael Cox reviews 'a wonderfully staged musical that works a treat'.
Michael Cox writes about the seminal play and the current touring production from Dundee Rep.
Michael Cox reviews 'a captivating production'.
Michael Cox reviews 'a moderate success' with two terrific performances.
Ashling Findlay-Carroll reviews a piece with 'emotive moments'.
Ashling Findlay-Carroll is 'blown away' by this latest production for the Edinburgh International Festival.
Ashling Findlay-Carroll reviews Dancer and Tessa Waters: Overpromises.
Michael Cox reviews a 'poignant, humane and touching' production.
Ashling Findlay-Carroll reviews a wonderful celebration of Martyn Bennett's classic work.
Michael Cox reviews a production with a brilliant central performance but a lot of problems.
Ashling Findlay-Carroll reviews Scary Shit, Beards Beards Beards and Stories to Tell in the Middle of the Night.
Michael Cox reviews Mungo Park, Micky and Addie, The Dwelling Place, Under Ice and The Castle Builder.
Michael Cox reviews Us/Them, Denton & Me, One Hundred Homes, Hillary Clinton, Blank and (I Could Go On Singing) Over the Rainbow.
Ashling Findlay-Carroll reviews Whiteout, A Plague of Idiots, Faslane and Only Bones.
Michael Cox reviews a production with a lot of creative ideas but a messy script.
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