Lorna Irvine reviews a 'small but poignant show'.
Lorna Irvine reviews an 'excellent collaboration' between Katharine Blake and Nick Marsh.
Lorna Irvine reviews an album that's 'all too safe, bland and comfortable'.
Lorna Irvine reviews a modern adaptation of a classic which 'fails to ever really ignite'.
Lorna Irvine reviews 'a furious symphony of disdain and dissolution'.
Lorna Irvine reviews 'a strange brew...but a refreshing one'.
Lorna Irvine reviews an album from a band that 'have integrity and ideas as well as making pithy perfect pop which never outstays its welcome'.
Lorna Irvine reviews a 'thin, rather dull' production.
Lorna Irvine reviews 'an absolutely beautiful and very much recommended' exhibit at Kelvingrove Museum.
Lorna Irvine reviews a production from 'an incredible team at the top of their game right now'.
Lorna Irvine reports on another rising talent.
Lorna Irvine reviews a performance that is 'decadent, endearing and more fun than is possibly decent'.
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Michael Cox reviews a production with a long running time but ends up being 'wonderfully rewarding'.
Lorna Irvine reviews a production with some great moments but 'feels overlong, overwrought...and a little bit compromised'.
Lorna Irvine reviews 'a visceral anti-war statement'.
Lorna Irvine reviews the recent concert at the CCA.
Lorna Irvine reviews 'a likeable, fizzy enough opener' to the autumn season of A Play, a Pie and a Pint.
Lorna Irvine reviews a 'superb' award-winning production.
Michael Cox reviews an unfortunately repetitive production.
Michael Cox reviews Adam Long's Dickens Abridged, Titania--A Solo Cabaret and The Turn of the Screw.
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